01Dialogue scene
The Audition
One take on an iPhone in my bedroom. The room, the New York window and the casting director were created afterwards. Only the acting was ever there.
PROVES — dialogue, photoreal AI set
Every film below starts the same way: a real take, performed for real. Everything around the performance is built afterwards.
One actor, one iPhone — and any world a story needs. I shoot real performances, then build the sets, camera moves and entire environments around them with AI. AI is the new green screen. It never acts in my place — and when a film needs a real set, I direct that too.
Alongside the generated worlds, I write and direct real short films — real crews, real sets, real light. Same craft, different toolbox.
Short film. Directed, produced and edited — a one-man crew on a real set.
Watch on YouTube ↗Short film. Written and directed — the starting point of everything after.
Noman Hosni is a French actor, writer and director based between Los Angeles and San Francisco. From the Jamel Comedy Club to Montreux Comedy, two decades on stage and screen shaped the performer; today he directs AI-assisted films — keeping the oldest part of cinema, the acting, and rebuilding everything else.
Screen credits include Burqa City, Clika, and French television series such as Fais pas ci, fais pas ça and The Paris Murders. His one-man shows include Sans Capote and Histoires de Weed.
Filmed at the Punch Line, San Francisco. 20+ years on stage in Europe — Jamel Comedy Club, Montreux Comedy — now performing in English on American stages.
AI films, real films and performances — for brands, studios and creators.
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